JOSEPH COOKLIN LEVEY - UNIT:7B
Jah Mandela  -  Post 2
R&D
So I have this cool but weird track. It sounds alot like a kind of merge between reggae and jazz. My first step was finding a vibe. I went nuts with drum effects and tried out hundreds of snare and kick sounds. I knew that after I had a cool drum sound set, I would have a clearer picture of what I was actually doing... Turns out to be somewhere along the lines of Dub Reggae... but with a a twist that defies a rule of reggae. The vast majority of reggae has its rhythm and heart beat on the 2nd and 4th beat... where as mine is on the 1st and 2nd. It kind of goes against the culturally defining feature of reggae, but I'm not set on following rules and guide lines. This is to be raw creativity with and what happens.. happens.
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All my research for this track has come from listening. I knew that I wanted this to be a home production piece and that I wanted to use my tools to make it (it had started on a MIDI keyboard on my desk and thats where I wanted to keep it). I listened to alot of music that I drew inspiration from, such as; Eek'A'Mouse, Gladiators, Revolutionary Dub Warriors to name a few. I listened to how they made their tracks and how they built layers (minus the rhythmic pattern). For me personally, listening is the primary educator in music. I'm educated in music theory and notation but I can't fully understand anything until I've done or heard it. It's part of my dislike for visual learning... I'm very kinaesthetic and auditory.
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I listened to : "Creation"
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I also drew inspiration from a track called "Zion" by Soul II Soul. I also have a clip here.
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As in line with the concept of the project. I have never touched this style of music and it's completely different to my other tracks. I needed to listen to these artists and single out the defining traits, and the common outcome was the use of multiple snares. Like the use of a bone dry snare sound which is almost default for straight reggae and then using high pitch/tighter snare sounds and caking them in effects. The use of feedback delay and fader riding in "Creation" has been a massive influence and it's basically what's getting this track to take shape.
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In my head I have master plan. I want to - like in Creation - build the track layer by layer, but I need the layers to build with. I'm thinking multiple guitar lines that can cut in and out, organs maybe some kind of vocals.
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This R&D timescale is between the 1st of October till the 10th.